All The Way To Memphis

The Mississippi Blues Trail officially crossed state lines today at the Rock 'n' Soul Museum at the Fed Ex Forum on Beale Street in Memphis. Local Fox 13 station covered the event with this news story.

photo courtesy Merete Eide

BB's Museum

Ron Brown at Mississippi Public Broadcasting shares the story of the new BB King Museum. For more of the story read Billy Watkins' interview of BB in the Jackson Clarion Ledger or this report from Rolling Stone.

The money blues

Alex "Lil' Bill" Wallace has made a lot of music, and a lot of musicians. But he hasn't made a lot of money.

He taught Greenville artist Eden Brent to play the organ. Her latest album, "Mississippi Number One" currently sits on top of the state's roots music chart. And Wallace is credited with convincing B.B. King he should stop playing gospel music and start singing the blues - a switch that brought King fortune and international fame.

Despite the success he nurtured in others, Wallace did not make much money of his own. After Wallace died earlier this month at the age of 83, local blues artists and fans sponsored a benefit concert to help his family pay funeral expenses.

According to Albert Folk, president and CEO of Greenville label G-Town Records, Wallace's financial woes are typical of the Delta's blues artists. He cited legendary musicians Muddy Waters and Robert Johnson as examples of other bluesmen who died penniless.

"Blues is a multi-billion dollar industry," Folk said. "Unfortunately, the artists don't see none of that money."

Billy Johnson, founder of the Highway 61 Blues Museum in Leland, said blues musicians face challenges beyond dishonest executives and unsympathetic festival organizers. "Blues is just a minute part of record sales today," he said. He also said that piracy and illegal downloading cut into music sales, which hurts all musicians.

Though Folk and Johnson may disagree on the source of Delta blues artists' financial troubles, they agree on one thing: People are willing to travel from far and wide to hear the blues performed in the land where it was born.

"People across the country are crazy about our culture here," said Folk.

Read the full story here: Blues singing not a lucrative gig

RIP Alex "Little Bill" Wallace

Delta Blues native Alex "Little Bill" Wallace of Leland, Mississippi passed away on Sunday, August 10, 2009. "Little Bill" was one of the first delta blues men to play the electric guitar. Wallace influenced and performed with many great musicians including BB King, whom he played with in their younger days.
Photo: Alex "Little Bill" Wallace with Alex Thomas, Mississippi Blues Trail Director at the David "Honeyboy" Edwards marker ceremony on April 13, 2007.

Mississippi Grammy Celebration

In an event to benefit the Mississippi Blues Trail project, Mississippi and the recording Academy came together to honor Mississippi's Grammy winners and nominees.

"Mississippi is the Birthplace of America's Music" was the theme of a special celebration of entertainers in Jackson Thursday night. The celebration of the state's Grammy legacy was hosted by Governor Haley Barbour and First Lady Marsha Barbour. The homegrown talent of Grammy winners and nominees like singer and actress Brandy, Mavis Staples of the famed Staples Singers, the Williams Brothers, Eddie Cotton, and dancer Kathy Thibodeaux were recognized.

"We're the first state that the recording academy has ever allowed to have a Grammy-sanctioned event to honor our Grammy nominees and Grammy winners," said Governor Barbour. "In Mississippi we have more Grammy nominees and winners per capita than any other state in the country."

Read the full story here: State's Grammy Legacy Celebrated at Gala

Mississippi Public Broadcasting's Ron Brown interviews Staples and Barbour and reports about the event. Listen to it here: Mississippi's Grammy Legacy

The Clarion Ledger also reports:

"The governor ... he's one cool fellow," said Staples, who resides in Chicago. "He's not stiff and stern like most governors." Barbour chuckled when told of Staples' comment. "That's about as cool as it gets, for Mavis Staples to say that about you," he said. "But being the governor of the state that has produced more Grammy winners and nominees per capita than any state in America ... that makes you cool - even if you're not."

Overstreet, a two-time Grammy Award winner for co-writing the country hits Forever and Ever Amen and Love Can Build A Bridge, said Mississippi's secret is "our culture, the way we were raised. We just got that Southern thing going."

Next year's gala, the third in what Barbour plans to become an annual event, will be held in Tunica "where we can seat 1,200 instead of 400," Barbour said. "Then, hopefully, we'll have the Convention Center done and be back in Jackson in 2010."

A trio of Swedish divas also performed. Hannah Holgersson paid tribute to Mississippi opera legend Leontyne Price, who grew up in Laurel, by singing Caro Come, which Price has performed countless times. Anorah performed Here Without You, a hit song by the Mississippi Gulf Coast rock group 3 Doors Down. And Beatrice sang What's In It For Me, honoring country superstar Faith Hill of Star.

Kathy Thibodeaux, founder and artistic director of Ballet Magnificat! in Jackson, performed a dance interpretation of Holgersson's song.

Dazed and Confused and Chasing Amy actress Joey Lauren Adams served as emcee.

Read the full story here: State's Grammy winners honored

Unsung home of the blues

Richard Knight, author of "The Blues Highway: New Orleans to Chicago" wrote a piece for the UK's "The Independent" which focuses largely on Jackson's role in the development of Mississippi blues.

In 1963, Medgar Evers, the Field Secretary in Mississippi for the National Association for the Advancement of Colored People (NAACP), was shot in the back as he walked from his car to his Jackson home. He died less than an hour later. It was one of the more cowardly acts of the Civil Rights struggle. But there was more shame to come: Evers's killer, the white supremacist Byron De La Beckwith, was twice acquitted by all-white juries. It took a further 31 years to convict him.

Medgar Evers's elderly brother Charles still lives and works in Jackson. He's the manager at WMPR 90.1 FM, a blues and gospel radio station. When I met him in his office, a desk-fan clattering like an old Dakota on take-off, he explained how he and the great bluesman BB King, from nearby Itta Bena, have staged an annual concert to remember Medgar every year since 1963.

The fact that Charles Evers, also a prominent NAACP activist, made a career in music – and chooses to commemorate his brother through music – underlines the link between the Civil Rights movement and the blues. The two go together, not least because the blues was, for years, one of the fastest routes a black kid could take out of poverty. That period and its soundtrack is, to me, as interesting as any in history. And in Jackson, the capital of the state which gave the blues to the world, the many reminders of that extraordinary time are intoxicating. You do not need to be a blues buff to get it, either: this is the Deep South, where sluggish speech, Spanish moss and slow-cooked BBQ will seduce you.

Farish Street, north of the city, is where the blues grew up in Jackson. For years the heart of the black community, Farish Street was as important to the development of the blues as was the far more celebrated, and gentrified, Beale Street in Memphis.

Through the glare of the Southern sun one can make out the words "Ross Furniture Co" on 225 Farish Street. This was the original site of HC Speir's music shop. You probably haven't heard of HC Speir, though you're likely to have heard of Sam Phillips. Phillips discovered, among others, Elvis Presley and Johnny Cash.

It's time Speir was thought of in the same breath: he discovered Sam Phillips. These were the very founders of Delta blues, a genre which would underpin the subsequent development of popular music and without whom Phillips's Sun Records would have been very different. Speir, a white businessman, began selling guitars and wind-up Victrola phonographs (early record-players) on the black side of town in the 1920s. But he became what he described as a "talent broker", passing on to record companies the best of the artists he came across in and around Jackson. So-called "race labels" such as Vocalian and Gennett learnt to trust Speir's fine ear.

The blues historian Gayle Dean Wardlow befriended Speir, who died in 1972, and says the man did not understand the full significance of his work. But without Speir, Robert Johnson might not have been heard beyond the dusty Delta street corners where he played before finding his way to Jackson back in 1935.

Farish Street is in steep decline, though its heat-faded storefronts and defunct business premises, such as Ace Records and the Crystal Palace nightclub, are so redolent of another time that it's as exciting as many more organised presentations of American history. Farish Street today would be immediately recognisable to the likes of Elmore James and Sonny Boy Williamson II – both of whom recorded for Trumpet Records on Farish Street early in their careers.

And it's not all history: the local blues singer Dorothy Moore, famous for her world-wide hit "Misty Blue" in the Seventies, started her own label, Farish Street Records, in 2002; and Malaco Records, a much bigger concern, is still going strong after 40 years.

Another survivor is Peaches, an African-American diner located next to the Alamo theatre. The Alamo once hosted celebrated talent contests, plucking the likes of Otis Spann, who would become Muddy Waters' pianist, from obscurity.

Peaches has been a Farish Street favourite since the early Sixties and little has changed either to the decor or the menu. There's a giant jukebox stacked with blues, soul and gospel records. Photos of local heroes line the walls. The menu is pure Southern soul-food: fried beans, smothered chicken, okra and huge slices of cobbler. It's good, down-home, artery-clogging stuff and if there was a branch of Peaches in Britain I would be a fat man now. Possibly dead.

While Peaches and Malaco Records have kept the spirit of the blues alive in Jackson, the more important cradles of the music – juke joints – have not fared so well.

When I first visited Jackson in 2000, I spent a memorable night at the Subway Lounge, one of the coolest and most authentic juke joints left in Mississippi. It was a one-room basement club in a residential district which was hard to find and even harder to leave. The ceiling was decorated with fairy lights, the house band were mind-blowing and alcohol was bought from a hatch in the side of the house next door. The Subway Lounge was the real thing.

So I was sad to discover in 2004 that it had closed for good, after four decades in business. The building had become unsafe and no one could find the money to put it right. But there are other juke joints still open. The Queen of Hearts is another improvised music club, hosting live bands from time to time, and every bit as rough and raucous as the Subway had been.

There is still time to visit the cradle of that great creative outpouring and to see something of the culture which fostered it. But you don't have long. It's evaporating in the Mississippi heat.

Read the full story here: Mississippi: Unsung home of the blues

News Roundup

Legendary Mississippi Sheiks to get their due

On a recent holiday, Steve Dawson—guitar maestro and founder of local label Black Hen Music—had the bright idea of putting together a tribute album to one of his favourite bands, the Mississippi Sheiks. Other than the blues classic “Sitting on Top of the World”, the Sheiks’ songs are largely unknown to today’s music fans, despite having been revered by Americana-influenced musicians since the ’30s. In those days, the trio was one of the hottest—and sauciest—acts around, and it influenced such legends as Memphis Minnie, Robert Johnson, and Big Bill Broonzy. “Much of their stuff remains obscure,” Dawson told the Straight. “They disbanded in 1935, but were one of the first bands to generate crossover interest from both black and white communities. What’s going to make this different from the regular tribute album is that, for the most part, there’s going to be a house band and the musicians are coming here to record over a three-day period.” The artists appearing on the album—which is scheduled to be out in March 2009—include Madeleine Peyroux, Bill Frisell, Bruce Cockburn, John Hammond, the Carolina Chocolate Drops, Bob Brozman, Kelly Joe Phelps, Geoff Muldaur, Van Dyke Parks, and Dawson’s recording buddies Jim Byrnes and the Sojourners. “Ry Cooder has also agreed to do it, much to the chagrin of his lawyer. We don’t know how it’s going to shake down, but he would be recording in L.A.,” Dawson said.

Eden Brent: The sultry voice of the Mississippi Delta Blues

With a sultry voice like thick molasses, splashed with a shot of Jack Daniels, Eden Brent approaches the piano with the eagerness of a long-lost lover, determined to make up for lost time. An engaging aptitude with the keyboard, earthy and one-of-a-kind vocals, and a palpable, gutsy energy are just a few things that have helped Brent find success in the music world. Most folks around these parts already had a head's up on Brent's talent, and now, with the release of her latest CD, “Mississippi Number One,” the rest of the world is going to be let in on the secret. A Greenville girl born and reared, Brent says she can't remember a time when she didn't want to be a singer. But it was not until her introduction to Greenville bluesman Boogaloo Ames that Brent says she began to discover who she was as an artist. When she was 19, Brent says she finally plucked up enough courage to ask Ames, who by that time was a legend in the Port City, for lessons. And it was that one request that changed the rest of her life, says Brent, who spent the next 16 years learning from and working with Ames. Since launching her solo career, she was named a 2004 inductee into the Greenville Blues Walk, the 2006 winner of the Blues Foundation's International Blues Challenge, and has headlined venues across the world, including the Kennedy Center, the British Embassy, and tours in South Africa and Norway.

Elvis tribute artiste has Delhi rocking

Elvis Presley, the king of rock and roll, set India's capital on fire. The hip-shaking, gyrating rock sensation of the 60s and the 70s was in full regalia - his trademark long sideburns, high-collared sequinned jacket - as he belted out favourites like 'Jailhouse Rock' and 'All Shook Up' in his deep resonant baritone. Only it was not the King in person. Award-winning Canada-based Elvis tribute artiste Stephen Kabakos took the audience back in time to the swinging 60s and the 70s in the country's first ever Elvis Presley tribute concert at the Hotel Radisson on Wednesday night. The performer, who was crowned the Grand Champion at the 2001 "Images of the King World Competition" in Memphis, Tennessee, is one of the top three Elvis tribute artistes in the world.

95 years of blues: 'Pinetop' Perkins comes to Marin

With a Nicasio show coming up and a new album, famed piano man Willie 'Pinetop' Perkins isn t letting age slow him down. I thought for sure that the last time I saw blues great Willie "Pinetop" Perkins would be the last time I'd ever see Willie "Pinetop" Perkins. Let me explain: Revered as the piano player in the legendary Muddy Waters Band, Perkins is a blues hall of famer whose barrelhouse style has influenced generations of rock and blues musicians. I had the pleasure of meeting him five years ago when he played West Marin's Rancho Nicasio with his pal Willie "Big Eyes" Smith. That night, he recorded tracks for a live album, the Grammy-nominated "Ladies Man," with Marin's Elvin Bishop and Angela Strehli sitting in. At the time, he was one of the last of the old-time Mississippi bluesmen still performing. I figured the old cat had used up his nine lives with that little confrontation with a train and, given his advancing years, thought it would be a pretty safe bet I'd never have the chance to see him play again. Which is why I don't gamble. Since then, Perkins has won two Grammys - for lifetime achievement in 2005 and another last year for traditional blues album for a concert recording with Henry James Townsend, Robert Lockwood Jr. and David "Honeyboy" Edwards called "Last of the Great Mississippi Delta Bluesmen: Live in Dallas." Townsend and Lockwood died in 2006, leaving Perkins and Edwards as two of the few surviving bluesmen with a direct, first-hand connection to seminal figures like Waters and harmonica ace Sonny Boy Williamson. In his time, Perkins played with both of them. This week and last, Perkins was in his native Mississippi for ceremonies dedicating a couple of Mississippi State Blues Trail Markers in his honor. He's also up for Blues Foundation award for his DVD, "Born in the Honey - The Pinetop Perkins Story." He'll be celebrating his 95th birthday on July 7 with a new "Pinetop Perkins and Friends" CD, set to be out in June, with guests Eric Clapton, B.B. King and Jimmy Vaughan.

In related news: Blues marker honors Hopson Plantation, Pinetop Perkins

The History of BB King - The Legendary Blues Guitarist

In his youth he played on street corners for dimes and pennies! He was born on 16 September, 1925 on a plantation in Itta Bena, Mississippi, near Indianola. He spent his youth playing on street corners for dimes. Today B.B. King (Riley B. King) averages 250 'packed to the rafters' concerts around the world each and every year. In 1947, he hitchhiked to Memphis, Tennessee to pursue his music career and it is first love. His first major break came in 1948 when he performed on Sonny Boy Williamson's radio broadcast. As the years well by, King has developed one of the world's most identifiable guitar styles. He borrowed from Blind Lemon Jefferson, T-Bone Walker and others, incorporating his distinct and complex voice-like string blends and his left-handed vibrato, both of which have become vital components of a blues guitarist's vocabulary. His economy, his every-note-counts phrasing, has been a model for thousands of players from Eric Clapton and George Harrison to Jeff Beck. In the mid-1950s, two men got into a fight during one of King's performances. The men knocked over a kerosene stove and set fire to the venue. King raced outdoors to safety and then realised he'd left his beloved acoustic guitar behind. He rushed back in to retrieve it and almost lost his life. He found out later that the fight had been over a woman. He named his guitar Lucille to remind him to never do a crazy thing like fight for a woman. Ever since, each one of King's guitars has been called Lucille.

BB King International Blues Workshop

Greenwood Commonwealth: King will hold blues workshop June 6

The King of the Blues will return to Mississippi Valley State University June 6 for the eighth annual B.B. King International Blues Workshop. Itta Bena native B.B. King will hold his workshop at the H.G. Carpenter Auditorium on the Itta Bena campus. Events get under way with the Musicians Workshop – Part I from 9 a.m. to 10 a.m.

King, 82, will take to the stage from 10 a.m. to 11 a.m. He’ll talk about his guitar style, described as “one of the world’s most identifiable guitar styles . . . integrating his precise and complex vocal-like string bends and his left hand vibrato, both of which have become indispensable components of rock guitarist’s vocabulary.”

Part II of the workshop will begin at 1 p.m. with a musical performance featuring King's daughter, Shirley. Other performers scheduled to attend are MVSU alumni Pat Brown, vocalist; Vickie Baker, vocalist; Rickey Burkhead, drum gear/performer; as well as guests Eden Brent, vocalist and pianist; Nellie McInnis, bass guitarist; Idalee Feaster, drummer; Jessie Robinson, guitar gear/performer; and MVSU student Levan Lortki-panize featured on the harmonica and guitar.

For more details on the workshop, contact the Delta Research & Cultural Institute at 662-254-3001.

Blues Marker for Greenwood Elks Lodge

The Elks Lodge in Greenwood will be recognized with a Mississippi Blues Marker on March 28: "The Improved Benevolent and Protective Order of the Elks of the World (IBPOEW) was formed in 1898 in Cincinnati by blacks who were excluded from the “white” Elks organization, the Benevolent and Protective Order of Elks (BPOE). By 1899, 12 lodges of the IBPOEW, which became commonly known as the “black Elks,” were established in eight states, including Mississippi. In 1902, a female auxiliary group, the Daughters of the IBPOEW was founded. The chapter in Greenwood was established in 1925, and property at this location was purchased for the establishment of a lodge in 1927. From the 1940s through the 1970s, the hall in Greenwood hosted artists including BB King, T-Bone Walker, Ike & Tina Turner, James Brown, Percy Mayfield, “Little” Junior Parker, Roy Brown and others." (Read The Full Story Here)

BB King Buys Club Ebony

B.B. King has purchased the juke joint Club Ebony in his hometown of Indianola from Mary Shepard who has owned it the past three decades. Shepard is ready to retire and her last day at the club is April 6. A Mississippi Delta Blues Trail Marker outside Club Ebony says several musical icons have played there since 1945 besides King including Count Basie, Ray Charles, James Brown, and Ike Turner.

More BB

The Times-Tribune (Penn): "WILKES-BARRE — The King of the Blues was in the house at the F.M. Kirby Center for the Performing Arts on snowy Sunday night, and his presence alone raised the temperature to the sizzlin’ hot mark.

On B.B. King’s return trip to the Kirby Center, he once again mesmerized an auditorium full of people with his basic three-note riffs that can humble the most seasoned rock guitarist. Approximately 1,200 people sat enthralled for 90 minutes as the legendary blues man proved why he continues to be the consummate showman.

Mr. King’s congeniality with his audience is practically unsurpassed in any musical genre....Mr. King coaxes and nurtures his guitar named “Lucille” so that even the most subtle note can be heard in the farthest corner of the Kirby Center with resounding clarity....The angst in Mr. King’s songs was earned over his 82 years. And the love, well, the love speaks to his experiences too, both from the mother in his family and the women in his life. To either, B.B. King speaks with a reverence that you have to appreciate....Watching B.B. King still do his thing on stage at the Kirby Center on Sunday night, one thing is for sure — the thrill is definitely not gone. Actually, in some ways, it’s stronger than ever...." (Read the Full Story Here)

Times-Leader (Penn): BB King was given a lifetime achievement award from the Grammys, almost a symbolic way of saying his career was done. But he’s still recording and still playing – 20 years after receiving that award. “I’m kind of glad they was off a little,” King said last week from a hotel room in Binghamton, N.Y.

He had a farewell concert last year, saying goodbye to his fans overseas. But he’s still touring the states, and he is playing a show at the F. M. Kirby Center in Wilkes-Barre at 7 tonight. Opening is Lex and Joe’s Blueswing. Retiring doesn’t seem to be in the 82-year-old’s future....

He was working on a plantation in Mississippi driving a tractor-trailer and making $22.50 a week. On the weekends, he would sing gospel on street corners.

“People would praise me, pat me on the head and shoulder and say, ‘Keep it up, son; you’re going to be something,’ but they wouldn’t do no tipping,” he said. “And I noticed that when people came by and asked me to play blues, they would give me a nice tip. I would make more money on a Saturday evening playing than I did in a whole week of driving tractors.”

....After 14 Grammy Awards and 50 years of professional musicianship in his pocket, he stays humble because there was a time when King was Riley B. King, a young man who played on the street corner for anyone lucky enough to pass by. Now he’s a legend, still playing for anyone lucky enough to see him....“I keep telling myself when I get to a place where I can’t handle myself, when I can’t be independent, when people stop buying my CDs, yes, I will retire. Other than that, I will wait for the Great One.” (Read The Full Story Here)

"The Color of Blues" Photography Exhibit

Join fellow blues artists and enthusiasts at the opening reception of "The Color of Blues" photography exhibit this Friday from 5:30 to 9 p.m. at Schimmel's Fine Dining, 2615 North State Street in Jackson, Mississippi. The full color exhibit, which opened for the nationally acclaimed Smithsonian's American music roots "New Harmonies" exhibit, features the work of Mississippi photographer Marianne Todd. The exhibit features such artists as BB King, Bo Diddley, David "Honeyboy" Edwards, Bobby Rush, Sam Carr, Patrice Moncell and the legendary House Rockers. The reception includes live entertainment by blues musician Chris Gill. Come out for a cultural evening, light hors d'oeuvres and some great blues music and visual art.

BB King

The Press & Sun-Bulletin of Binghamton, NY reports on a recent BB King show:

"I've been around a long time. I'm a blues man, but I'm a good man, understand," B.B. King sang to about 1,000 people who attended his concert Thursday night at Broome County Veterans Memorial Arena in Binghamton [NY]...."Let me apologize again about laughing. Blues music's not supposed to do that," he said. At 82, King's show is as much about his jokes and storytelling as it is about classic songs such as "The Thrill is Gone," which closed out the 90-minute regular set.

King sat in a chair for the entire show, weaving stories and songs as if he was talking to his grandkids. And he makes you feel as if you are one of his grandkids. His infectious smile looms into the crowd as he comments, "It's been said people from Mississippi talk too much. I'm from Mississippi."

Then before launching into a story he settles the music lovers by telling them, "I'm gonna work ... trust me." (Read the full story here.)

Also, this news: the BB King Museume to Expand

News Round-Up

The Elvis is Alive Museum is moving from Missouri to Laurel, Mississippi.

No response from Kid Rock means no show for Mississippi child with dwarfism.

The Jackson Free Press has this profile of Jackson bluesman Louis Arzo Youngblood: "Youngblood, better known as “Gearshifter” due to his day job driving gravel trucks, is seeing growing interest in his take on the blues and is racking up performances at some high-profile music festivals." (Louis Arzo Youngblood)

BB King

BB King is preparing a new album, recording this month to be released in early 2008. T-Bone Burnett is producing the Geffen studio album. This article includes a quote from King about doing a partner album: "People keep asking when I'm going to do something else with Eric Clapton or U2. But I can still do things by myself. This time, I've decided I don't want to do anything with partners for a while."

The AP reports on his homecoming this year to Indianola and his summer plans including a 16-city blues festival tour. This piece is also a good update on BB - festivals, museums, honors, etc.

And from the Muskegon Chronicle, "In the king's own words, the thrill's not gone. Nowhere near. A lesser musician -- say, a mere commoner -- might expect it at least to have dissipated a little, after six solid decades of playing the blues. But B.B. King -- whose long reign as king of the blues makes any of the world's other monarchs a mere flash in the pan by comparison -- isn't about to step down from his throne." (read the rest of it here)

BB King in Indianola

Scott Barretta writes in today's Clarion Ledger: This Saturday B.B. King makes his annual visit back home to Indianola, where he'll headline the B.B. King Homecoming Festival at Fletcher Park and appear in the evening at the historic Club Ebony. A late change in King's schedule moved the festival from last Friday to this Saturday. Also performing at the festival, which begins at 5 p.m., are Willie King, Bill "Howlin' Madd" Perry, local favorite David Lee Durham and Jackson soul-blues diva Dorothy Moore.

This Weekend

44th Annual Medgar Evers B.B. King Homecoming - Jackson

9th Annual Elvis Presley Festival - Tupelo

Robin Thicke - Jackson

Highway 61 Blues Fest - Leland

Thursday News Roundup

Yesterday, the Mississippi Blues Commission dedicated a Blues Trail marker for the Summers Hotel and Subway Lounge in Jackson. The Subway was featured in the Last of the Mississippi Jukes and was a longtime blues staple of Jackson.
WLBT has video and the Clarion Ledger also has a report of the event.

Delta Southern Bank has pledged $200,000 toward the BB King Museum and Delta Interpretive Center in Indianola (full story).

Elvis Fest kicks off tonight in Tupelo (full story).

Tupelo Daily Journal: Country music star Marty Stuart will bring a host of artists to Oxford this weekend to celebrate American music. The stars will gather to perform for Oxford Sessions, a series of concerts to be videotaped live for a planned series of TV specials celebrating American Music. The two-night event will kick off Thursday at the Gertrude C. Ford Center on the University of Mississippi campus. The Williams Brothers, Kenny Wayne Shepherd and Hubert Sumlin will take the stage Thursday, while the Blind Boys of Alabama and Charlie Mussellwhite will perform Friday. Marty Stuart will host and perform both nights. Tickets for each show is $5. For more information about the shows, call (662) 915-2787 (More on this at the University of Mississippi newsdesk.)

The Delta Democrat Times has this great feature on Greenville native Frank Vick, bluesman and longtime drummer for Little Milton and later Howlin' Wolf. The eighth annual Highway 61 Blues Festival, to be held Saturday in Leland, is dedicated to Vick and to the late James “Son” Thomas (Full Story Here).

Marty Stuart & Brandy

Great article and review of Philadelphia, Mississippi native Marty Stuart's new album over at Monsters & Critics. An excerpt: For Stuart, it all comes from what he calls his "Mississippi heritage." "So much of America`s music sprang from there," says the Philadelphia, Miss., native, whose hometown is within 35 miles of Meridian, home of country music pioneer Jimmie Rodgers. Stuart points to such Mississippi music notables as Elvis Presley, B.B. King, Tammy Wynette and Pop Staples among the state`s rich legacy of American music figureheads. "I realized early on that I come from there, and that any form of music that`s from there I could legitimately go to, and make a contribution," Stuart continues. "When I embraced that, I went beyond making music from one street, one town to the whole American roots system that`s bigger than anybody`s chart. I love that."

McComb, Mississippi native and R&B star Brandy is back in the news for her December 2006 car accident. Now she is suing another driver involved "accusing him of calusing the accident which left a mother-of-two dead." (Full story at RapWeekly.com)

44th Annual Medgar Evers B.B. King Homecoming

44th Annual Medgar Evers B.B. King HomecomingMay 31st - June 2nd 2007 in Jackson, Mississippi

Saturday afternoon: The 44th Annual Blues Concert staring Sir Charles Atkins, Bobby Rush, Peggy Scott Adams, Nellie (Tiger) Travis, Tina Diamond, The Houserockers and many more. The concert will be held at the parking lot beside WMPR Radio Station at 1018 Pecan Park Circle behind E&E Blues Cafe' at 2605 Robinson Rd. Concert Admission will be $25.00 at the gate. Gates open at 2:00PM and show starts at 4:00PM. (Security Provided)